conference session

by Kristen Olson


"Cutting the pies and cakes at the barbeque dinner, Pie Town, New Mexico Fair"

Imagine a large room, filled with light, buzzing with electric conversations. You hear a shout from across the room, saying "come sit over here!" and someone is waving you over, pulling out a seat to a table. As you navigate through the crowded path of circular tables covered in pieces of paper, you...
Hi! I'm Elizabeth Merritt, your designated museum futurist for the WMA conference in Portland this year. My assignment is to help you imagine many plausible futures that could face museums in coming decades. What are my secret weapons? Well, I won't reveal them all, but one is a Museum Forecasting Tarot Deck which will be deployed in my session on "Forecasting the Future of Museum Sustainability...
By James G. Leventhal
Not too long ago, museums didn't have email. Or websites. Or e-blasts. We've simply incorporated these new technologies as they've arrived. In many cases they've improved our work and made our professional lives easier. Really, it's not even that long ago that we didn't use direct mail and I remember when it was a question as to whether we'd accept credit card donations.  ...
by Leonie Fedel
James Leventhal recently got in touch and asked if I'd post a short update on what's been happening at the Getty Leadership Institute.  James’ timing was perfect, as there have been a lot of changes recently.
Many of you probably already know in January 2010, we moved from being part of the Getty Foundation to being an independent institute within Claremont Graduate University. We...
by James G. Leventhal

Once independent, the Hammer is now part of UCLA

What do you value?  This is becoming a pressing question for museums in the United States as they... well, come of age.  With Riches, Rivals and Radicals: 100 Years of Museums in America (2006), AAM and Marjorie Schwarzer reminded us that museums in America are not a lot older than a 100-year tradition or industry.  That's...
By James G. Leventhal

"Board and Staff Roles" from #wma2009 (photo Lydia Johnson)

There's a long list of reasons to be part of the Western Museums Association.  For example, the last email news update notes that WMA serves professionals during difficult economic times providing: a professional lifeline to the unemployed; a touchpoint for the retired and a springboard for those just entering the...
This is the second part of a multi-part video series documenting our October 25 pre-conference workshop on visitor comfort at the Museum of Photographic Arts in Balboa Park, San Diego.
Participants role-played as visitors with either learning differences or physical disabilities. They based their roles on brief, half-page profiles, written by Paul Gabriel (differences) and Beth Katz (disabilities...
From disease and death to land loss and forced subjugation, native museums often have the daunting task of exploring difficult issues and events. Too often, as museum planners and exhibit designers, we talk around these subjects without fully confronting them. Three museum professionals from the National Museum of the American Indian in Washington, D.C. and Bishop Museum and 'Iolani Palace in...
By Stephanie Weaver
On Sunday, October 25 WMA held a pre-conference workshop at San Diego's Museum of Photographic Arts called "Getting Comfortable with Visitor Comfort." The goal of the workshop was to help participants and the museum assess how the museum's experience met visitors' comfort needs, and therefore was an experience they might want to repeat. The facilitators (in alpha order) were...
By Aldona Jonaitis
Aldona Jonaitis, President

First, I want to thank everyone involved for making the annual WMA Conference in San Diego such a successful event.  Special thanks go to Elida Zelaya and Valerie Huaco who worked tirelessly to welcome our arrival in San Diego.  I also want to thank the Program Committee and the Host Committee, both of whom corralled the collective wit and experience...

Pages

Subscribe to