Here in Fairbanks the day is at its shortest, the sun rising at 10:57am and setting at 2:39 pm. Outside it’s -17.6 degrees. When it’s this cold there’s no wind, so the snow just stays where it fell, and there are several inches of snow decorating the trees. Cold, snow, short days - one might think this is a depressing time of year. But it is absolutely not.
The low sun filters through the...
#WMA09
This is the second part of a multi-part video series documenting our October 25 pre-conference workshop on visitor comfort at the Museum of Photographic Arts in Balboa Park, San Diego.
Participants role-played as visitors with either learning differences or physical disabilities. They based their roles on brief, half-page profiles, written by Paul Gabriel (differences) and Beth Katz (disabilities...
Participants role-played as visitors with either learning differences or physical disabilities. They based their roles on brief, half-page profiles, written by Paul Gabriel (differences) and Beth Katz (disabilities...
From disease and death to land loss and forced subjugation, native museums often have the daunting task of exploring difficult issues and events. Too often, as museum planners and exhibit designers, we talk around these subjects without fully confronting them. Three museum professionals from the National Museum of the American Indian in Washington, D.C. and Bishop Museum and 'Iolani Palace in...
By Stephanie Weaver
On Sunday, October 25 WMA held a pre-conference workshop at San Diego's Museum of Photographic Arts called "Getting Comfortable with Visitor Comfort." The goal of the workshop was to help participants and the museum assess how the museum's experience met visitors' comfort needs, and therefore was an experience they might want to repeat. The facilitators (in alpha order) were...
On Sunday, October 25 WMA held a pre-conference workshop at San Diego's Museum of Photographic Arts called "Getting Comfortable with Visitor Comfort." The goal of the workshop was to help participants and the museum assess how the museum's experience met visitors' comfort needs, and therefore was an experience they might want to repeat. The facilitators (in alpha order) were...
Rachael Faust is a JFKU museum studies graduate student. Previous to her academic studies, Rachael worked at the University Art Gallery at UCSD and at the Portland Art Museum. Since moving to the Bay Area, she has volunteered at the Phoebe A. Hearst Museum of Anthropology and has been an intern at SFMOMA and the Henry Art Gallery in Seattle.
By Rachael Faust
After completing my first year at...
By James G. Leventhal and David Porter
Click here to viewDavid Porter at #MCN2009 Talking about #wma09David Porter's presentation to the Museum Computer Network annual meeting in Portland this past Friday. THANK YOU, MCN for inviting WMA to be a part! The following questions were asked:
Slide from Porter's Presentation ot the Museum Computer Network Conference Attendees in Portland 2009...
Click here to viewDavid Porter at #MCN2009 Talking about #wma09David Porter's presentation to the Museum Computer Network annual meeting in Portland this past Friday. THANK YOU, MCN for inviting WMA to be a part! The following questions were asked:
Slide from Porter's Presentation ot the Museum Computer Network Conference Attendees in Portland 2009...
By Aldona Jonaitis
Aldona Jonaitis, President
First, I want to thank everyone involved for making the annual WMA Conference in San Diego such a successful event. Special thanks go to Elida Zelaya and Valerie Huaco who worked tirelessly to welcome our arrival in San Diego. I also want to thank the Program Committee and the Host Committee, both of whom corralled the collective wit and experience...
Aldona Jonaitis, President
First, I want to thank everyone involved for making the annual WMA Conference in San Diego such a successful event. Special thanks go to Elida Zelaya and Valerie Huaco who worked tirelessly to welcome our arrival in San Diego. I also want to thank the Program Committee and the Host Committee, both of whom corralled the collective wit and experience...
Margaret Kadoyama's thirty years in the museum profession embrace extensive experience in audience development, community involvement and education strategic planning.
by Margaret Kadoyama
I was fortunate enough to attend the recent WMA conference in San Diego. The conference provided at least one significant outcome for me -- the discovery of a new report on engaging diverse audiences from...
by Allyson Lazar
WMA Board Members convene near the end of the conference
Last week roughly 400 museum professionals from the Western Region and beyond* gathered in beautiful San Diego for the annual WMA conference. Buzz in the hallways indicated that the sessions were some of the strongest, most relevant, useful and enjoyable yet!
But what about the folks who weren't there? How can they benefit...
WMA Board Members convene near the end of the conference
Last week roughly 400 museum professionals from the Western Region and beyond* gathered in beautiful San Diego for the annual WMA conference. Buzz in the hallways indicated that the sessions were some of the strongest, most relevant, useful and enjoyable yet!
But what about the folks who weren't there? How can they benefit...
by Allyson Lazar
Some of the tools that may be used by a contract registrar: cotton gloves, camera, notebook, pencils, flashlight and tape measure.
These days with so many layoffs, there are a lot of people running around calling themselves freelancers, consultants or contract registrars. But is getting laid off enough of a reason to "hang your shingle" out there and go independent? How do you...
Some of the tools that may be used by a contract registrar: cotton gloves, camera, notebook, pencils, flashlight and tape measure.
These days with so many layoffs, there are a lot of people running around calling themselves freelancers, consultants or contract registrars. But is getting laid off enough of a reason to "hang your shingle" out there and go independent? How do you...
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